Singles: Phil Ajjarapu, Radio Days, Bryan Estepa, Bill DeMain and Lannie Flowers

I rarely promote singles on Power Popaholic, but enough of my favorite artists came out with new materials this month, so consider this one of those rare times:

Phil Ajjarapu “I Got a Feeling / Kimberly”
“I Got A Feeling” was cut from the final track listing of Ajjarapu’s album Sing Along Until You Feel Better to make room for the title track, which was written after the sessions with Ken Stringfellow. “Kimberly” was recorded in the same session.

Radio Days “I’m in Love With You, Haruka” is a new song and the B-side is a cover of the classic theme “Teenage Kicks” by The Undertones. The band goes on a European tour this summer.

Bryan Estepa “Rattled and Rolled” is a true collaboration between Aussie musicians Bryan Estepa and Michael Carpenter. Profits from the sales of this single will go to The Heart Foundation.

“Leroy Boy,” a song from Bill DeMain‘s upcoming album Transatlantic Romantic is a loving tribute/sequel to Todd Rundgren’s classic “We Gotta Get You A Woman” from 1970. Lots of fun and I can’t wait for the full-length release.

 

Lannie Flowers is back, and not a moment too soon. “Kiss a Memory” and  “Everything a Man Could Want” have everything power pop fans have come to expect from Lannie; a  strong melody and enviable riffs that encourage air guitar play-along.
Get it at CD Baby | Spyderpop Records

 

Radio Days and Pezband

Radio Days “Back in The Day”

Italy’s Radio Days have paired themselves down to a trio and are going back to their roots on “Back In The Day.” In doing so the band moves away from the strict formulaic approach and decided to rock out, capturing an energy that is more like The Beatles on steroids with the opener “Why Don’t You Love Me Anymore?” The next several tracks are catchy and highly addictive, especially the double-time “You Won’t Fool Me Twice.” The title track follows a template closer to The Raspberries and makes its point, looking to the past for those tasty hooks.

The oddity here “Your Words” is a light pop tune with a reggae beat, but the band is quick to return to those chiming guitar chords and each track after is a solid gem. From the ballad ” You Bring Me Down” to the powerful backbeat of “Subway Station Girl,” Radio Days delivers the goods and never falls into a predicable rut, adding garage elements on “Smash This Party” and ending with another Beatlesque love song “Betta” which echoes a little of the Fab’s “Do You Want To Know A Secret?” My only pet peeve here is the compressed sound quality in the studio mix. Overall a great album that makes my top ten list for 2016. Ciao!

Bandcamp | CD Baby | Amazon


Pezband

Pezband “Women & Politics” EP

Chicago’s Pezband was one of the better known power pop bands in the late ’70s, following the path of their bretheren Cheap Trick and The Raspberries. But by 1980 after three albums and two live EPs, interest from their label vaporized and the group disbanded. The next year guitarist Mimi Betinis and drummer Mick Rain were energized and ready to to give Pezband another shot. Joined by original band member John Pazdan, the trio headed to Los Angeles to record “Women & Politics.” Unfortunately in the era of post-Knack backlash, the EP was shelved. Until now.

“Office Girl” has the angular guitars and beat that’s typical of the pre-new wave era. “Waiting In Line” is closer to a classic Pezband single, with its distinctive vocal interplay and jangling rhythm. “Fab Girlfriends” is another gem, with some excellent guitar shedding between the chorus and ending. “Russian Tanks” is a cold war era tune that compares well with The Clash and Public Image Limited. This is a vinyl release and a highly recommended one.

Frodis Records | Amazon

Radio Days “Get Some Action”

Radio Days are Milan’s premier power pop band and like another Italian band, Radio Days took some time to find it’s sound, but with Get Some Action it’s reached near perfection. Opening with the clean melody line of “Burning Together” it’s part Weezer, part Rubinoos, with a dash of The Wonders.

“Girl, Girl, Girl” continues the sunny smooth ride, each melody more contagious as we go along. The title track emphasizes simple three chords, handclaps and a bouncy chorus of “yeah, yeah, yeah.” The slower “One Thousand Miles Away” brings forth dreamy harmonies, and “Love and Fun” uses a familiar Joe Jackson bass riff to great effect, guaranteed to make you dance. Lead vocalist and chief songwriter, Dario Persi doesn’t go for any complex poetry here, like the early Beatles it’s all about getting the girl. Then losing the girl. The minor key masterpiece “Goodbye My Lover” makes it clear that even if you break up with him, he “just wants to see you smile.” It may be simplistic, but rarely are the basics of power pop done so well. Easily makes my top ten list for 2013.

Bandcamp | Amazon | Out on CD March 6.