Skeleton Staff “Malapropism”
After a six-year wait, this Australian baroque-glam-pop band Skeleton Staff is back! Opening with “Investiture” it boasts a dramatic build that draws more from the brothers Mael (Sparks) as an influence. “Is This Thing Gonna Work Out?” contrasts heavy guitar with bombastic verses, but the heavy production almost threatens to bury the melody. “Harlots” is a 4-minute operetta loaded with Queen-like guitars and overlapping vocal parts, like a grand march. It’s that bombast that draws attention, but a song like “Dumb and Proud To Be” has more of a hook, and I wanted to hear more of this. But Skeleton Staff prefers a large buffet of many styles.
The band shifts to dance-pop synths mode for “She Made Me Believe In Make Believe Again” and the funky “You Look Good In Pictures.” The critique of the music industry in “A&R” takes the narrative of a label looking for a band to “just find a viral hit.” The beautiful ballads “Hand Up In The Sky” and piano-led “Bugger All” really show how talented this band is. And “You’re Gonna Fly Too” is another introspective song that does it right, without all the pretentious bits. Those bits take over a few tunes, like “Paranoia Strikes” but overall Malapropism is a very good listen. Check it out.
Brendan Benson “Low Key”
In 2020 Brendan Benson moved out of his comfort zone on Dear Life, and put a band together planning to go on the road. But COVID happened and he couldn’t, so it was back to the studio, and this is the result. He still includes light elements of modern hip-hop in the beats (a source of inspiration) in the opener “Aint No Good” and closer “Something A Little Like Home.” While these are good songs, Brendan is still a master at power-pop melody. “I Missed The Plane” is a superb piano-led tune with McCartneyesque overtones about a lost relationship.
Even deeper, “People Grow Apart” brings his signature buzzing riffs to the front and it is one of the album’s big highlights, along with the Who-inspired “Whatever’s On My Mind.” These tracks are so good, it softens the faithful cover of Gerry Rafferty’s “Right Down The Line” and the soulful introspection of “Whole Lotta Nothin.” As a follow-up to Dear Life, it’s a perfect companion album. Between the two, if he comes to your town during a tour he’s got lots of great new material — so don’t miss him. Highly Recommended.
