Sloan and Richard X. Heyman

Sloan

Sloan “Steady”

On their 13th album, Sloan retains its title as the best indie power pop band left standing. The Canadian quartet has a career that spans over 40 years, and “steady” not only describes the band’s lineup but also its consistent stylistic approach. The chugging guitar on “Magical Thinking” starts us off, with hooks a plenty and a “ba-ba-ba” chorus. Then we launch into the catchy rocker “Spend The Day” a song that’s defined Sloan’s sound for years with a wicked guitar break, and it leads right into the gentle harmonies and handclaps of Jay Ferguson’s “She Put Up With What She Put Down.” Each song leaves an impression, and the album gets even better the further along we go.

Chris Murphy’s “Human Nature” is a brilliant piano-based song about our love of gossip. But what’s amazing is how the band can take Beatlesque elements and make it totally their own, my favorite track here is “Nice Work If You Can Get It,” a dreamy Rickenbacker riff based on “Day Tripper” – it’s an instant classic. Not a weak track to be found, and without a doubt (like their 2018 opus 12) this easily gets added to my top ten list for 2022.

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Richard X. heyman

Richard X. Heyman “67,000 Miles An Album”

For many years Richard X. Heyman was the original power pop DIY, one man band, and even though he branched off playing with The Doughboys several years ago, he remains a singularly unique songwriting talent. 67,000 miles an hour refers to the speed of the earth as it moves in orbit around the sun. RXH goes through a variety of styles here, but he starts off with an absolute gem “You Can Tell Me,” full of harmonies and sweet chord progressions. The rich horns of “Misspent Youth” goes through visions of his life in New York, and “Traveling Salesman” is a garage rocker with a distinct riff.

With 18 tracks you’ll find plenty of great songs here like “Crave,” a bouncy rocker with synth keys and pounding drums, and the mature hooks on “When The New Dawn Comes.” The soulful vocals of the mid-tempo ballad “Plans” are another highlight. Sometimes RXH finds a musical idea, like “Ready For A Fall” with its stylized harmonies, but it doesn’t quite work. However, enough tracks do work and that makes it highly recommended in my book.

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Late-July EPs and more: Sloan, Richard Turgeon, Kurt Baker, Sunshine Boys, Geoff Palmer, The Happy Somethings

Celebrating the fact that Sloan has a new album due out in October, we get the single “Spend The Day” to whet our appetites. What a prolific band, and speaking of prolific, Richard Turgeon has a sweet new EP Rough Around The Edges, check out the riffage on “I Never Loved You,” a classic power pop-sounding gem. The dense grunge-like rhythms are in contrast to the crisp re-released and remastered Kurt Baker solo Brand New Beat. This is without a doubt my favorite of his albums, and every song is top shelf, plus a boat-load of extra tracks (a total of 26) – so worth it.

Sad to say, but The Sunshine Boys are calling it quits, the trio leaves us with a pair of great tunes, both “Underwater” and “The Beginning.” If you want more buzz in your riffs, Geoff Palmer (The Connection) fits your needs perfectly. The FREEBIE this time is the lovely unpolished harmonies of The Happy Somethings from the UK. Great jangling happy melodies, full of irony guaranteed to brighten your day.





The Power Popaholic Interview: Sloan

Jay Ferguson of Sloan

Sloan is one of the most consistently great and longest lasting power pop bands around. Of the four guys who founded Sloan — Jay Ferguson (guitar and vocals), Patrick Pentland (guitar and vocals), Chris Murphy (bass and vocals), and Andrew Scott (drums and vocals) — I got Jay (he’s the one in the hat) to talk to me about the band a little, in promotion for the new album, 12.

How often do the four of you meet to discuss music?

Jay: I would say that never occurs. We got together at our rehearsal space to play each other our individual home demos to see what people had been working on, or perhaps look for enthusiasm one way or another for particular songs to pursue.

Has the songwriting process changed a lot since you started as a band? Was it always so democratic?

Jay: Not so much. Before Sloan, we all played in different bands where we wrote or contributed songs and sang….so it made sense to continue on that path when Sloan started. Andrew doesn’t really sing lead on our first LP, Smeared, but he contributed by writing music to a couple songs. There’s an outtake of Andrew singing lead vocals on “Median Strip”, a song he wrote the music and lyrics for…but Chris ended up singing it on the LP. By our second album, Twice Removed, we all were taking turns singing lead on at least 2 songs.

Do you challenge each other? Can someone say, “We should do it this way”?

Jay: Sometimes someone might offer an option if someone is stuck on how to perform or record a track…but generally, it’s down to the songwriter on how the song should be done.

Does anyone have “veto power” when picking a song for the album?

Jay: I’m not sure what you mean. Some of us will take thoughts from other members but mostly, you get to choose your own tracks you’d like to pursue. Sometimes one is persuaded by others to pursue a track they like.

Were you inspired at all by Nirvana for “All of The Voices?”

Jay: Let me ask Patrick….he says he’s aware it sounds like Nirvana production-wise, but he wasn’t necessarily aiming for that…but wasn’t steering clear of it either.

Tell me your biggest musical influences.

Jay: Impossible to choose one. For me personally, I’d say I’m influenced by The Beatles (together & solo), The Smiths, The Velvet Underground, The Bee Gees, Nilsson…but I’m inspired by lots of stuff. There’s a bit of a Diana Ross solo nod on one of my songs on the new LP….but I’m only speaking for myself.

Is performing still vital to the band’s promotion, or is it looked at as just an opportunity to connect with your fans?

Jay: Both. It’s definitely an opportunity to connect with fans, but also it’s where we make our bread and butter. Once upon a time, equal income could be generated from record/CD/cassette sales, but in the musical climate over the past many years, touring generates the lion’s share of the income that keeps our business model running. 

Tell me the differences between your Canadian and American fans.

Jay: In Canada, depending on the city, we play to more people…and amongst those people, due to having had actual radio hits or being more well known, there’s a chance some folks may only know your big 5 or 6 songs. Of course there’s also still the big fans who know the deep album cuts etc. In the USA, because we never really had massive hits…the average Sloan fan is more likely have gotten into our band via LPs as opposed to radio play, so they may generally regard a popular song (i.e. “Everything You’ve Done Wrong”) with the same enthusiasm as an LP cut (ie. “Suppose They Close The Door”). That’s the primary difference I tend to see.

Any planned projects after this latest (12) album tour?

Jay: In 2012 and 2016, we created and toured behind box set reissue versions of our Twice Removed and One Chord To Another albums respectively. The next project after the 12 campaign will likely be a box set reissue of our 1998 Navy Blues album and a tour following where we’d play the entire LP front to back. That’s probably not until autumn 2019 at the earliest.

Thanks, Jay. We look forward to seeing you in concert soon!

 

Sloan and Jeff Litman

Sloan

Sloan “12”

“There’s only so much time we can kill here” states Chris Murphy on the opening track “Spin Our Wheels,” from the band’s 12th album. Sloan is without question the most consistent and longest lasting power pop band with its original line-up (27 years!) It’s easy to take for granted just how good Sloan is, as the melodies, harmonies and hooks always deliver. Like 2014’s Commonwealth, each member contributes a few songs to what is a “normal” sized Sloan album.

Murphy’s “All of The Voices” has a simple melody line and sounds a little like a power pop version of Nirvana. “Right to Roam” is a jangle-pop gem, that’s more traditionally Sloan-like. Guitarist Patrick Pentland’s “The Day Will Be Mine” boasts those thick riffs and rising chords, as the chugging “Essential Services” breaks things up with a 10cc styled piano and harmonies about the relationship between themselves and the fans. More greatness is found on the rocking “Don’t Stop (If It Feels Good Do It)” and it keeps getting better with “Have Faith.” No real dull songs and the album has a positive vibe mostly, and an epic slow moving finish; “44 Teenagers.” Like most Sloan albums I’ve reviewed, this hits my top ten list for 2018. Highly Recommended (well, DUH).

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Jeff Litman

Jeff Litman “Crowded Hour” EP

NYC indie musician Jeff Litman is back and he’s going in a different direction. The opener “One Foot Forward” is an aching ballad with simple electro-beat that grows with the addition of Andi Rae Healy’s vocals to become a strong affirmation. “Only You” is closer to the Jeff we are familiar with but after that, it’s all atmospheric soul searching. It works best on the title track, where a strong melody, lyrics and echoing production deliver greatness. Fans of early-’80s Peter Gabriel and Joe Jackson will enjoy this one.

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Tribute To Sloan and Rude Awakening

Dany Laj

Various Artists “If it Feels Go Do it: Tribute To Sloan”

The amazing thing about this tribute is that most of Sloan’s songs aren’t as well known or played out as other more popular artists (i.e. Beatles) and this frees the artist from adhering to a strict interpretation. Also Sloan has some gorgeous compositions that fit perfectly with these artists, and its sure to draw attention.

Stereo Tiger not only starts us off with “C’mon C’mon (We’re Gonna Get It Started),” the band is also offering up a quick EP of added covers FREE here. Andy Reed crushes “I Love A Long Goodbye” and The Dead Girls delivers a solid take on “Friendship.” Lots of today’s best artists contribute: Fireking, Chris Richards, Nick Piunti, Pop4, etc. I could continue to list favorites, but with 31 tracks this post would go on too long. Simply stated this is the best tribute album of 2016 so far! So get it from our friends at Futureman Records!

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Rude Awakening “Rude Awakening”

Rude Awakening was formed in Winnsboro, TX in 1985 and disbanded in 1989. They were never signed to a record label, thus never released an official CD, but the band members (Jim Richey, Jeff Hamm, Kenny Swann and Jeffrey Galloway) continued to play together eventually becoming The Pozers. The band specialized in guitar rock based on ’70s and ’80s similar to Cheap Trick, Kiss, AC/DC and Van Halen.

Its worth noting that the musicianship here is solid and the era is re-created perfectly. “First Impression” really rocks out and “One More Cry” sound like lost hits from the proto-metal hair band era. Ballads like “For Angie” and “Traci” remind me of Extreme a little and the speed-metal “Leather and Lace” pulls out all the stops as the drummer goes wild. The album stays stylistically consistent throughout and even if they do go past the four minute mark on songs, it sounds like the band is having fun. “17” is a dead ringer for a lost Kiss single, and you’ll find plenty of favorites to add to your listening mix.

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