Sorrows and He’s Dead Jim

“Sorrows"

Sorrows “Parting Is Such Sweet Sorrow”

A new and final chapter for the legendary NYC indie power pop band Sorrows is finally out. This end to the trilogy of albums ‘Parting Is Such Sweet Sorrow’ was recorded in 1981, at the height of their powers. The band is made up of Arthur Alexander, Joey Cola, Ricky Street, and Jett Harris. Originally they were The Poppees, but changed their name and upped their game in 1980. In the spirit of Cheap Trick, The Plimsouls, and 20/20, they had the hooks, harmonies, and punk energy to make it very big. But their record company had other plans and the 2nd album was ruined by overproduction and management interference. The album was finally released as intended, and ‘Love Too Late’ was my #2 album of 2021.

Now right out of the gate, the raw “Never Mind” is a cry to the record company suits that the band’s independence was top of mind. It’s a perfect melding of Beatles and Stones, along with the brilliant “Out Of My Head.” Then add a little Who-influence, and you get the perfect Ricky Street rocker “What A Good Boy!” The band also has several blistering rockabilly tunes “Let Me Know,” “That’s Your Problem,” and “Something Else.” Another highlight is the heartfelt elegy for John Lennon “Cricket Man,” and there are a few well done covers included as well. Overall, a fantastic send off for one of the most under-rated bands ever. A contender for my 2025 top-album list for sure. Highly Recommended!

Big Stir Records | Amazon


“He’s

He’s Dead Jim “Head Like a Toyshop”

While the band name and cover is a clever bit of sci-fi nostalgia, this Aberdeen, UK group starts us off in the same direction as psyche pop revivalists Mothboxer or Emperor Penguin with the opener “Paradise Fayre.” But they don’t stay in that lane, “On the Beach” has a Madchester lite feel, and they bounce around the genres of garage, glam, new wave, and jangle.

Highlights include “Seventh Night of Sin,” “Ticket to Explode,” and bright horns and synths of “Tomorrow is Yesterday” which seems to sum up this bands motto. Not all the songs hit the mark, but the enthusiasm is evident. The variety of styles are also a mixed bag, but even a faithful cover of Blue Öyster Cult’s “Don’t Fear The Reaper” will put a smile on your face. Fans of adventurous retro pop will enjoy this, so check it out.

Amazon | Kool Kat Musik

Sorrows and Lucas Aaron

The Sorrows

Sorrows “Love Too Late …the real album”

Sorrows were formed by guitarist and singer Arthur Alexander in 1977  after the breakup of his influential power pop band The Poppees. With the initial excitement over their debut ‘Teenage Heartbreak‘ (later re-released in 2010 as ‘Bad Times Good Times‘) the band expected to pick up momentum on their sophomore LP.  But working with famed producer Shel Talmy (The Who, The Kinks) proved to be a disaster. After four decades and a protracted legal battle, the original band members Alexander, Joey Cola, and Ricky Street won the right to release their “real” version of ‘Love Too Late.’

With modern mastering, the sound is truly amazing on the opener “Christabelle,” with sharp guitar riffs chopping away. The vocals are wonderfully realized with a perfect pop bounce to each verse. The title track is the party song it deserves to be, with some nice bass and drum work (Thanks Ricky!) It also keeps you on your toes with “Crying Time,” a deceptively charming song with a reggae beat that takes off at the bridge. Each song here resonates, and some epic moments just transcend like “Breaking My Heart (Over You).” Even a simple cover of The Kinks “Tired Of Waiting For You” is made unique through its slow build and strong harmonies. This is a pure lost classic that’s been given new life and should not be missed by power pop fans, young and old. Makes my top ten of 2021 this year! Super duper highly recommended.

Amazon | Big Stir Records


Thanks to Big Stir Records, we have a full documentary about the band and the album.

The Peppermint Kicks

Lucas Aaron “Domino”

California psych-pop musician Luke Aaron delivers a fully fleshed-out debut, that owes much to late ’60s psychedelics and garage rockers. Similar to compatriots Diamond Hands, Lucas takes his love of that style and makes it his own, although it takes a little bit to get used to his nasal vocal performance. Instrumentally, he’s spot on with the opener “8th & Downtown” and “Ghost” recalls early Dylan and the Lemon Pipers. The jangle is heavy on “Tomorrow’s Yesterday” with a rhythm straight outta the Beatles “She’s Got A Ticket Ride.”

All good, but not as big an impression until midway through the LP, Lucas adopts a Lou Reed-like cool on “Hanging Around Again.”  From this point, he’s firing on all cylinders, and gems like “Toy” and the blues-influenced “Walking” are simply great. Lucas also does a Lennonesque turn on the closer “Need Some Love.” Overall a very good debut, especially in the second half. Check it out.

Amazon | Kool Kat Musik