The Push Puppets video premiere and new music from The Genuine Fakes, Stay, The New Pornographers, Phantom Note, Strange Neighbors


Illinois band Push Puppets made a good impression on their debut with superior melodic skills courtesy of singer/guitarist Erich Specht. Bandmates Greg Essig (drums), John William Lauler (bass), and Kyle Magnusson (keyboards) keep the sound crisp and bright. Here is a brand new video from that album; “Center of the Storm” which is akin to Crowded House in spots.

At the tail-end of 2022, The Genuine Fakes gives us a power pop taste of the new year with a new EP; listen to “Two Fine Lovers,” and “The Receiver” which are great songs. I’m going through David Bash’s top 100 list and found the band Stay is already hot on a new EP, covering The Move, and generally doing a Stonesy “Get Going.” The New Pornographers also is prepping a big return with the first track “Really Really Light.” Newbie from Portland, Oregon Phantom Note gives us a freebie with some jangle and melodic strum. Check out the opener “I Should Know By Now” and “Lonely As Hell,” these guys have real talent!  Another impressive newbie here is Strange Neighbors from New York City. Check out the cool riffs from “Skeleton Boy” to “Window Watching.” Not a bad start for the new year.

 





No Tricks, Lots of Treats (Singles and EPs)

The Connection “(Its A) Monsters’ Holiday”
One of our favorite bands has a timely holiday single available, so give “The Monster Mash” a break and try this NEW classic.

The Zags are back! Portland artist David Ricardo delivers a monster single in “A World Away,” a really catchy gem! And it’s a FREE download!


Stay “Always Here”

Brilliant jangle psyche-pop from Minneapolis, Minnesota also delves in a few covers like The Bee Gees “Every Christian Lion Hearted Man Will Show You” and The Kinks “Where Have All The Good Times Gone.” Produced By Owen Morris and featuring guitarist Andy Bell on “You Know It’s Right.” Highly Recommended.


Walty “I’m in Love With Everything”

Philly band goes all over the place from New Wave, Disco, Hard Rock and everything in between. Variety is the spice of this EP.

Hidden in the vaults of Capricorn Records USA for over 50 years, we found lost ’60s band Stone Ridge only has a single available. Fortunately for us, we also have a tribute EP featuring Vinnie Zumo, Jose Estragos and Joe Ricardello (The Modulators) that really make that song shine. And no trick folks, it’s Power Popaholic’s treat; A FREE download for your goodie bag!

Scott Warren and Stay

Scott Warren

Scott Warren “Good Love”

Scott Warren (Signal Hill Transmission) brought together the same cast as his 2012 effort Dyed In The Wool, but this time with a big studio sound complete with horns and string arrangements.  Starting with the solid “Good Love” it’s one of the best openers this year, with melodic muscle in the chorus. “Cold Feet” is worthy follow up, with a wicked guitar solo at the break about a hot-and-cold love affair.

“Idle Hands” recalls Matthew Sweet’s dense bed of drums and riffs, but then he slows down for “Why Won’t You Come Around?” before it builds up to a bluesy crecendo that knocks it out of the park. A few country styled songs are wedged in here, but don’t resonate as strongly as the rock. The ballad “Fall in Line” is a good palette cleanser for the Fleetwood Mac-ish “When I Get Away From You.” A slow tempo cover of Lindsey Buckingham’s “Trouble” closes things out. This is terrific album that deserves to be heard. Highly Reccomended!

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Stay

Stay “The Mean Solar Times”

Barcelona based Stay are a psych-rock collective that bears more than a passing resemblance to Oasis, as the new album The Mean Solar Times was produced by Owen Morris (The Verve, Oasis) and features a guest guitar slot for Andy Bell (Ride, Oasis, Beady Eye). There is a solid Britpop vibe mixed with some psychedelic rock and so fans of both genres will enjoy the interplay of synths, organ, harmonies and great lead guitar riffs perfectly executed on “Pinkman.”

Fans of The Byrds will dig “You Know It’s Alright” with its easy going chorus and jangling bed of guitar rhythm. And while “Dirty and Alone” and “Always Here” have that Manchester vibe similar to The Stone Roses, the sitar is thrown in to give it a retro gloss. No real duds and a highly recommended trip through your headphones.

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