The 1957 Tail-Fin Fiasco “Don’t Go Anywhere”
It’s way too lazy to simply say that Essex, UK musicians David Myers and Malcolm Moore are a Steely Dan cover band that’s outgrown their main influence. But The 1957 Tail-Fin Fiasco has that ’70s sophisticated, distinctive sound, and they drive that car along many roads here.
Starting the bouncy rocker “Reno’s Electric Stairs” it’s a catchy gem that adds a touch of jazzy organ behind the guitars. “Here All Week” is an impressive mantra that describes a transition from Miami to Vegas. The band takes a left turn into They Might Be Giants territory with the witty “J is for Genius.” Not a bit of filler and its unpredictable melodies (“Horses & Courses”) are matched with smooth Steely-style lounge production (“Best Bitters.”) The quirky arrangements and cheeky lyrics are similar to XTC or David Bowie. Originally a download only in 2021, this release is now on CD at Kool Kat Musik. Highly Recommended.
Dave Scarbrough “Happy Ever After”
Newcomer from Sioux Falls, South Dakota Dave Scarbrough knows his power pop. His debut Happy Ever After hits the sweet spot right away on the rocker “Catherine.” He’s a power-pop fan with influences from The Raspberries and Cheap Trick, to The Cars and Squeeze. And collecting these gems is a true labor of love for the genre. But what Dave does is make these songs work, “Take My Hand” is a brilliant rocker, “Wachet Auf” has great melodic chord shifts and his vocal is both strong and sincere. The title track is just as strong, with a sticky rhythm, and builds the narrative carefully with layered strings full of emotion.
“As Far As I Know” bounces along with confidence similar to Elvis Costello, the album’s first half is so strong, that the ballad “The Coming Good” is when we coast a bit — but not for long. The second half picks up with “Runaround” and the jangling “Hilary” and doesn’t let up. This is an album that needs to be heard and savored. Makes my top ten list for 2022, and the best debut I’ve heard this year so far. Don’t pass it by.
