Ken Sharp and The Boys With Perpetual Nervousness

Ken Sharp

Ken Sharp “I’ll Remember The Laughter”

The Pandemic forced artists back into the studio, and many embraced the newfound “time” to create. But no one I know did as much as artist Ken Sharp, who created a veritable box set of 50 songs for his 7th album, I’ll Remember the Laughter. Assisted by his amazing co-producer Fernando Perdomo, he creates a series of love letters to 1970s-era bubble gum, power pop, glam, baroque, soul, and folk styles. Lots of standouts allow you to pick and choose a “best of” from the bunch.

Sharp has been an excellent writer, and curator of these musical styles and creates many memorable songs here. Even with the copious selection, his batting average is high when it comes to potential “hits.” Opening with the Todd Rundgren-like “Maybe Next Summer” it plays with key shifts, harmonies, and a satisfying guitar coda. His falsetto is so high on “Cracking This Heart of Stone” I thought it was a Diana Ross imitation, and it is such a lovely tune. I’ve mentioned in the past that his vocals are not everyone’s cup of tea, but it definitely grows on you. “Dennis” is baroque bubblegum with a theatrical flair, “It Pays To Be A Rock and Roll Star” has cool glam guitar riffs, and “Maybe You’re Right” has that pure power pop hook. You get the idea. Sharp also includes a bunch of previously released singles and some covers. Like an everlasting gobstopper of music, this is highly recommended, despite Sharp’s contention that “Nothing’s Everlasting.”

Volume 1 | Volume 2 |


The Boys With The Perpetual Nervousness

The Boys With The Perpetual Nervousness “The Third Wave Of​.​.​.”

The duo of Andrew Taylor (Dropkick) and Gonzalo Marcos (El Palacio de Linares) are back as The Boys With The Perpetual Nervousness. The sophomore album “The Third Wave Of…” Is more of the same feel-good jangle that made their debut so engaging. “As The Day Begins” greets us with a sticky hook, a fast tempo, and glorious harmonies. Fans of The Byrds, Teenage Fanclub, and CSNY will find this as comfortable as a favorite sweater.

Another Pandemic album, there are lots of highlights here, one of my favorites is the ballad “Isolation” with the ethereal Mary Lou Lord on backing vocals.  The band hits its stride with the excellent combo of “In The Right” and “The Stars Go Round.” Both have superior melodies that are perfectly suited to Andrew’s smooth vocals. The remaining songs are also very good but don’t hook you as quickly. Still, no filler here, and very highly recommended.

Amazon | Kool Kat Musik

The Boys With Perpetual Nervousness and Aaron Lee Tasjan

The Boys With Perpetual Nervousness

The Boys With Perpetual Nervousness “Songs From Another Life”

Andrew Taylor has been doubling his output since this past summer, not only with his main band Dropkick, but his side project with Gonzalo Marcos aka The Boys With Perpetual Nervousness. Like the highly-rated debut, this new BWPN album is a continuation of catchy jangle-filled themes. It’s loaded with sticky pop hooks akin to Teenage Fanclub.

Opening with “I Don’t Mind” is a great start with a strong flowing tempo that ends just as you get into a groove, but even better is the Byrdsian guitar signature in “Play (On My Mind).” Each song is a gem, but some of my favorites include the sweet look back on “Rose Tinted Glass,” “Summer,” and “Lethargy.” Although many of the songs share a similar tempo (my only pet peeve here) there is enough distinction to prevent them from blending together.  Highly Recommended and a contender for my top 10 in 2021 list.

Amazon | Kool Kat Musik


Aaron Lee Tasjan

Aaron Lee Tasjan “Tasjan! Tasjan! Tasjan!”

Nashville singer-songwriter Aaron Lee Tasjan is hard to pin down, and he likes it that way. “Sunday Women” is a deceptively simple song, a phrase repeated over and over, like a daydream. Then “Computer of Love” establishes an easy-going feeling before it launches into the catchy chorus “My little avatar/I’ll never know who you really are” all about casual dating and friendships on the internet. Echoes of Tom Petty are on “Up All Night” and Tasjan’s guitar actually emulates the sound of synths on “Don’t Overthink It.”

“Another Lonely Day” and “Feminine Walk” in some ways remind me of Bleu McAuley, with its acoustic bounce, and a multi-harmonic vocal. The melodic qualities and songwriting are top-notch. “Now You Know” is a confessional that just draws you in with just a vocal and bass line. A superb album that’s very inviting, and reveals more with every listen. Highly Recommended.

Amazon