Before the New Jersey power pop band Readymade Breakup emerged in 2003, Paul Rosevear and Gay Elvis were part of a band called The Blakes. The pandemic allowed the group to rework some demos, and here they are; readymade with plenty of guitar crunch, jangle, and strum.
Emperor Penguin is back with an impressive third EP, lots of different style elements here; prog, new wave, and power pop. Slick production and melodies that stick! Each of the three EPs is a FREE download.
San Francisco’s Trip Wire was in the middle of an album when the Pandemic turned it into an EP. Love the mid-tempo ballad “Maps” and the psyche-pop jangle of “Hazel.”
Andrew Taylor continues his musical therapy during the lockdown. Mostly acoustic guitar ballads, with some greatness in the album’s second half starting with “Before I Go,” “Just Let It Happen,” and “The Blue.” And a new album from The Boys With The Perpetual Nervousness is coming soon.
SINGLES:
Willie Dowling’s commentary on the hysteria that surrounds and consumes us all via social media, and the seemingly endless sensationalist news. The Dowling Poole never disappoints.
Chicago singer-songwriter AJ Rosales has a catchy single to start his upcoming album.
Kai Danzberg is working with a new artist, Myles Josephh. The harmonies are terrific and Kai knows a great melody when he sings it. The team is working on a new EP for this year.
The John Sally Ride is another artist poised to make a big comeback this year. Here is the first impressive single, love those riffs!
The Dowling Poole is back, Willie Dowling and Jon Poole have a new album, “See You, See Me”, to be released on 28 February 2020. These are the first 2 singles. XTC fans will dig it!
Brad Marino plays this Buddy Holly classic. Hey, it’s a FREEBIE!
The new band Go Outside is more of an emo/alt. rock band, but they hit this single correctly when they shout “I swear to God if I ever play Power Pop… Give me something to make my heart stop!” Kinda reminds me of Superdrag. Album is on Bandcamp, and this single is a FREEBIE!
A band from Madrid, Spain – m.a.p.a stands for the first names of the people in the band; Manuel, Ana, Pepe, and Antonio. Plus they do a sweet cover of “Mean Mr. Mustard,” it’s a FREEBIE!
The Dowling Poole “Bleak Strategies”
We told you about the duo of Willie Dowling and Jon Poole teaming up for the debut of the Dowling Poole. Honestly the track record of albums from PledgeMusic or Kickstarter has been spotty at best, and I’ve been burned a few times by artists promising the best thing ever, only to get “something else.” Thankfully Dowling Poole happily exceeds expectations here. The pastoral shimmering opening “The Sun Is Mine” could’ve fallen off XTC’s Skylarking – it’s that good.
Next the rhythmic “Kiss On The Ocean” is a quintessential English-styled love song, part Maddness and part Martin Newell with a sing along chorus supported by “ooh la la” vocal backdrop. “Hey Stranger” is a little darker but no less compelling and it wanders into Klaatu-land with an amazing harpsichord and trumpet ending. Nearly every track is a polished gem and even the mellow “Paper, Scissors, Stone” is has a delightful jazzy pastiche that echoes Colin Moulding. The rich instrumentation and details invites many repeat listens, especially on the albums second half where it morphs into progressive rock with multiple melody lines, a perfect example being the psychedelic “Getting A License.” The finale “Clean” is slow building juggernaut along the lines of “Hey Jude.” This is an essential “do-not-miss” album, that makes my top ten list for 2014. I’m sure it’ll move to major distribution soon, but get it at PledgeMusic now.
PledgeMusic
The Both “The Both” Like the musical equivalent of a Reese’s Peanut Butter Cup, Aimee Mann and Ted Leo join forces to create The Both. It’s fairly rare for indie power pop auteurs to get mainstream attention (Reviewed in Spin, Rolling Stone and Pitchfork), but I’ll take it. Both artists leave their comfort zone a slightly and form an effective collaboration. Leo’s punk tendencies and Mann’s introspective melancholy are relatively restrained here, and that’s a good thing. It allows the duo to come up with some excellent songs “Milwaukee” being the highlight. Leo’s guitar is reminiscent of Thin Lizzy and Mann’s catchy chorus makes for good listening. This energy is missing from other songs like “The Gambler” and “No Sir” where the melody merely plods along.
Some nice touches are on the fuzz-bass led “Volunteers of America” with the comfortable harmonies of the duo and solid guitar riffs. In fact this is best vocals I’ve heard from Leo in a while. Both artists get to express ideas, Mann’s sparse “Hummingbird” and Leo’s guitar heavy “The Prisoner” both make personal statements. The Thin Lizzy cover of “Honesty Is No Excuse” is another highlight, along with the Beatlesque piano melody of “The Inevitable Shove” about “…blaming the ones you love.” A solid release that should please fans of both artists.