David Brookings “Mania at the Talent Show”
David Brookings has continued to grow musically over the years, and with his latest Mania At The Talent Show, he’s still telling stories that resonate. “Hard Times” reflects on the COVID fueled era of anxiety. On “Keep It Real” he settles in with a laid-back catchy rhythm as he touches on some of his favorite Western pop culture icons growing up (Outlaw Josey Wales, Gunsmoke), and then he slows down even more on the sleepy jangling “Driving to Ojai.” The California vibe is strong with this one, as well as other tracks. And David’s humor is sharp as ever on the bouncy “Women of L.A.” about women “going to the vending machine to pick out a new face.”
Other standouts include “One of Us Is Crazy (The Other One Is Me),” “Get Off (My Mind),” and “Kill Shot.” The longer form story-song “Mania at The Talent Show” is a lively tale of catching “rock star” mania with catchy hooks that chug along. Some tunes are more atmospheric and less compelling (“Words Come Back To Haunt You” and “Hide Your Crazy”) but this doesn’t throw the album off track. Brookings is a talent that deserves to be heard. Highly Recommended.
The Grip Weeds “DiG”
For over 26 years as one of New Jersey’s finest bands, The Grip Weeds (singer/drummer Kurt Reil, his wife Kristin Pinell Reil, brother Rick Reil, and bassist Dave DeSantis) have dazzled audiences with their unique blend of psychedelic styled garage rock and power pop. In a moment of introspection, the band decided to back at what influenced their sound and pay tribute to songs they loved. This is the inspiration for DiG, and it’s no ordinary covers album.
The late sixties has always been a benchmark for the band, and they dig deep through this 2-disc set. The challenge is to improve upon the originals, and in many ways, The Grip Weeds are up for this challenge. The one-hit wonders are usually ripe for improvement and “Shape of Things To Come” (Max Frost and The Troopers), “Journey to The Center of The Mind” (The Amboy Dukes), and “Lies” (The Knickerbockers) are instrumentally superior versions. More modern songs like The Plimsouls “Lie, Beg, Borrow, and Steal” are given a retro arrangement and there are plenty of songs you’ll not be familiar with; obscurities like “The Little Black Egg” (The Nightcrawlers). Overall a great album for those who love to dig through the classic late sixties catalog. Highly Recommended.