“Fields” features Lindsay Murray (Gretchen’s Wheel) and Orbis Max with drums by Daniele Silvestri. Neil Christie (Emperor Penguin) produced the video. The song compares the end of a relationship with the shifting of a landscape and how even the most permanent landmarks crumble to time and “progress.” Fallon Cush returns with a lively blues-rocker “Sweet Johanna” and Tony Marisco has a sweet EP of jangling songs, fans of The Byrds will certainly enjoy this, check out “Sleepwalker.” The Krayolas honor Dwight Twilley with a classic cover of “I Hear You Knockin’.” The late great Tommy Keene is always worth revisiting, a new digital EP was recently released so don’t hesitate to check it out. A new band to me is The Blusterfields, “Everyone is Dead” fits well with this group, with some jangle and harmonies. Finally, a freebie — RumBar Records After School Special is a 5-song EP with pop-punk artists like Pavid Vermin, J. Prozac, The Cretins, WiMP!, and The Glimmer Stars. Enjoy!
Sometimes a modern ballad just gets the romantic in me. Emilia Suárez‘s new single “Timing” hits that soft spot in your heart. She is both singing and acting in the new movie A Good Person, alongside Florence Pugh and Morgan Freeman. Next, the Tex-Mex Beatles (aka The Krayolas) have a freshly remastered release including a cover of The Monkees‘ “Pleasant Valley Sunday.” And speaking of covers The Downhauls do a neat cover of “Hazy Shade of Winter” written by Paul Simon, but it always sounded better with a female vocal (TheBangles). The emotional “R U OK” is an easy-going collaboration by OrbisMax and Lisa Mychols featuring Ed Ryan. Adding some great power pop energy is The Dollyrots “Hey Girl” which is a great “curious” theme. Brad Marino (The Connection) has opened the vaults at Rum Bar Records and let loose a Slab O’ Wax. That’s 19 tracks of his best rock and roll for you. We end with another newcomer, J. Matthews with a thoughtful “Wanderlust” single. And… exhale.
Tex-Mex popsters The Krayolas return with a reissue LP from 1982 that has been carefully restored from the “long lost” master tapes. The sound and production are perfectly crisp and clear. The title track jangles along evoking a simpler time and “Times Together” uses a little Latin R&B and Motown with pop panache. An early highlight “Love is Gonna Get Ya” with San Antonio’s West Side Horns helps Hector Saldana effectively channel Smokey Robinson.
On “The Sphinx Won’t Tell,” it’s a novelty that reminds me of Sam Sham and The Pharaohs. The garage riffs of “All of the Time” is a welcome change of tone, and even better is the mix “Al Coda No. 1” an instrumental where the horns lead the way. The band doesn’t stick to a single style with bluesy “Roadrunner John” and the Beatlesque “You’re Not My Girl.” While the tonal changes are jarring, the band is still young and finding their voice. Fans will find this essential while newcomers may want to start with Savage Young Krayolas first.
Charlottesville, Virginia band Kingdom of Mustang’s fourth album continues its journey through mellow rock and jangling pop. The opener “All I Can Do” is a mid-tempo tune with gentle harmonies all around. And things really open up with “Here In The Valley,” a bouncy pop tune similar in structure to XTC.
The band is led by Mark Roebuck (The Deal) and supported by Michael Clarke, Tim Ryan, and Rusty Speidel. The music features some great melodies and thought-provoking lyrics, as “High” provides a great example of this. A song about avoiding your issues “when you’re making sense, but you’re inside out.” The band’s simple approach is deceptively catchy, and many “growers” are here. Highlights include: “It’s Alright (In The Wrong Kind of Way)”, “Whatever Makes You Happy”, and the sunnier”One More Day” and “Coming Soon.” Elements of folk and blues are subtlety brought into each tune and it gives Kingdom of Mustang its own unique pop style. Highly Recommended!
Jay Gonzalez (Drive-by Truckers) returns with a second full-length solo album designed to sink into your head with simple, mellow pop melodies that recall the early ’70s AM radio. The instrumental opener “Sunspot” gives us a clue to the time period, and the title track “Back To The Hive” follows through with an easy-going strum. The country-folk love song “(I Wanna) Hold You” features inventive lyrics like “I wanna fold you up like origami.” Jay effectively mines all the influences and still makes these songs hook-filled gems.
Jay enlists Athens, GA friends like Chris Grehan, drummer Joe Rowe (The Glands), and former Drive-by Truckers Matt Lane (drums) and John Neff (pedal steel guitar.) The album’s second half gets a little more varied, with the terrific power-pop of “Need You Round,” and its double-tracked guitar and synths. The James Taylor-like ballad “Never Felt Bad (About Feeling Good)” evokes the same moods, and “Cryin’ Through The Wall,” a dramatic tribute to Robin Gibb is another winner. Highly Recommended.
We’ve been advocates for The Krayolas for a long time, and this newly re-mixed and re-mastered collection stands as proof that these Tex-Mex Beatles have the goods. These Chicano garage rockers from San Antonio rock right out of the box with the first three songs “Aw Tonight,” “You’re Not My Girl,” and “Roadrunner.” The energy and hooks are heavily influenced by the Dave Clark Five, Duane Eddy, and The Kinks (a cover of “You Really Got Me” is here too).
The band offers versatility with the Merseybeat “All I Do Is Try,” and the garage stomper “Gator Gator.” The harmony-filled “Sunny Day” compares favorably to The Beach Boys! The appealing melodies are so crisp, and if this is your first taste of The Krayolas you can look further into their catalog starting with ‘Best Riffs Only’.This is super highly recommended and stands as one of the best archival releases of 2020.
