Tag: Todd Rundgren

Great Tributes: Todd Rundgren and John Fogerty

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Todd Rundgren Tribute

Assorted Artists “Someone​/​Anyone? A 50th Anniversary Tribute to Todd Rundgren’s Something​/​Anything?”

Guitarist Fernando Perdomo is on a roll, so let’s keep it going. In 2021 he created a 50th Anniversary edition of Paul and Linda McCartney’s Ram which was approved and praised by Paul himself. Now he’s organized a group of artists to pay homage to Todd Rundgren’s ahead-of-its-time 1972 classic Something/Anything. It was with this album Todd proved to the world he could play any genre from power pop, blue-eyed soul, psychedelic rock, and more. It lends itself to a variety of interpretations from this eclectic group of performers.

Louise Goffin’s version of “I Saw The Light” is faithful, but a unique vision. Tiny Demons featuring Bobby Strickland leans heavily into the Motown funk style of “Wolfman Jack.” Another faithful version that adds to the original is “It Takes Two To Tango” with Nezrok, Dennis Diken, and Chris Bolger.  Fernando (with Jordan Rudess) is in his element with “Breathless” and its multi-layered instrumental guitar goodness. The pop hook of “Couldn’t I Just Tell You” by Marshall Crenshaw is measured, and clear. There are tons of great versions of your favorites, and some weirdness (Adrian Bourgeois). Get it on Bandcamp.

John Fogerty Tribute

Assorted Artists “Commotion: A Tribute to John Fogerty and Creedence Clearwater Revival”

Adam Waltemire produced this tribute to the CCR and its unique brand of countrified rock, blues, and soul. Norman Kelsey’s version of “Commotion” is a great deep track (from Green River) to open things up. Joe Giddings slick version of “Down On The Corner” gives it  more of a pop shine, similarly, that crisp production with the Popdudes “Have You Ever Seen The Rain.”

The tortured “Effigy” is lifted by the haunting vocals of Gretchen’s Wheel; a perfect fit here. Jason Berk’s “Up Around The Bend” is another fine faithful version. But in some cases, the Southern-style is completely absent on “Out My Back Door” and “Fortunate Son.” And the Yorktown Lads turn “Green River” into a Beatles song! It’s a mixed bag as with most tributes, but there are more good interpretations than passable ones.  Get it on Bandcamp too.

Todd Rundgren “White Knight”

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Todd Rundgren

Todd Rundgren “White Knight”

If there is one thing Todd Rundgren can be counted on, it’s that he will do his own thing (good or not) without a thought toward commercial success or his fan base. After what I like to think of as his “golden” musical period ending in the early ’90s, he then emerged as a techno-futurist, with experiments in EMD, ambient, and rap music. Although ahead of his time and putting off many fans, Rundgren has continued breaking musical taboos and deconstructing his own work (and other artists’ music as well). He persisted in making music with techno beats and synth textures but proved his guitar prowess again on 2008’s Arena.

By the time we got to 2013’s State and 2015’s Global, Rundgren’s music had become slightly more accessible. His satiric voice and natural melodic abilities came bubbling up from all that thick custom-made production gloss. That all leads us to White Knight.

This is more like Rundgren’s version of Duets (sort of). He teams up with a variety of artists from assorted genres on a variety of songs and even has three solo tunes. While he remains a master of atmospherics on the opener “Come,” the collaborations are a mixed bag. The dream pairing here is with Daryl Hall and Bobby Strickland on “Chance for Us,” with the best Philly soul vocal duo asking, “Is there still a chance for us?/Or does the music die?” Wow. Why did it take so long to get these guys together?

The humorous commentary is always a part of Mr. Rundgren’s arsenal, as on the anti-Trump gem “Tin Foil Hat,” which is aided by Donald Fagen (Steely Dan). The sweet ballad “That Could Have Been Me” with lead vocals by Robyn is another keeper. It’s a case of Rundgren getting the best elements from his collaborators to enhance his songs. With the rock/pop genre, he is a master of this – but when he goes outside his element, like electro-disco on “Naked & Afraid,” it sounds contrived and overly commercial.

The biggest smile crossed my face when I heard “Let’s Do This,” a power pop duet with Moe Berg (The Pursuit of Happiness). Another interesting pairing is with Joe Walsh on “Sleep,” with its plucked guitar chords, strings, and soothing chorus. There is another worthy tune, “Buy My T,” which sounds like a Prince parody, but damn it’s catchy.

Simply put, this is the best Todd Rundgren album in a very long time. Just these tracks I mentioned make up for the rest, which are either overindulgent vanity pieces or simply boring songs. After decades in the music business, veteran musicians tend to either coast on their reputation (like Stevie Wonder) or indulge in personal projects that their fans barely tolerate. It’s rare for that music legend, already venerated, to produce something new that can appeal to the existing fan base (like Ian Hunter). So for you Rundgren fans, it is a definite must buy. Others may want to stick to his various greatest hits packages.

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Power Popaholic Fest 2016 review

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This was a special Fest as this year we also were raising money for The Spirit of Harmony Foundation (Todd Rundgren‘s charity) and our second year at Bar Matchless after last year’s concert. The night was started with Oberon Rose playing selections from his upcoming album, great songs here and a few from the debut LP too. He was followed by Joe Caravella and The Reign, who rocked out a nice long set including covers of Badfinger and Beatles tunes — the band was tight and also played some new music thats due for release soon.

Unfortunately The Connection had an emergency and cancelled last minute, but Dave Rave came on and saved the day with his band, Haliee Rose and special guests Sal Medina (Milk and Cookies) and Dennis Diken (The Smithereens). They rocked the house as both Hailee and Dave have new albums on sale. The following night was started loudly by Meyerman as his new band shook the walls, followed by New Jersey favorites The Modulators promoting their new album “Try, Try, Try.” Then Boston native Ray Paul took to the stage and played selections from the soon to be released “Whimsicality.” We closed out the Fest with The Zombies of The Stratosphere who played a jangling set with some country overtones.

We were also able to make a donation to The Spirit of Harmony Foundation, giving a check to John Siegler and Kevion Ellman, both from Todd Rundgren’s Utopia. Thanks goes to The Odd Fellows Lodge #125 of Mineola for supplying the donation. Its great when you can support the arts and art education with one event. I had a great time and I know the bands had fun too.

Brent Bourgeois first LP in 20 years “Don’t Look Back” releases

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Brent Bourgeois and Julian Lennon

 

Brent Bourgeois will on June 2nd release his first album in 20 years, “Don’t Look Back”. The record features a ton of amazing collaborations, including Julian Lennon, Todd Rundgren, Charlie Peacock, Wayne Kirkpatrick, Rachael Lampa, Chris Rodriguez, and the first reunion in the studio of Bourgeois Tagg in 25 years. After reviewing his son’s LP earlier this year, its great to see Brent doing some unique marketing for this album.

Brent’s website offers snippets of the new songs (along with a commentary) and you can listen to past albums from Bourgeois Tagg or solo albums. He’s involved with Julian Lennon’s White Feather Foundation, which helps deliver clean, safe drinking water to those in need in Africa. You can buy the album here.